Jazz of the past Meade "Lux" Lewis

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Yeah I was of the plan.
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Welcome to I half an hour of jazz classics from the private collection of lenny
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castle. These old 78 rpm recordings are now a collector's
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item and here to comment on the music and play some of the records for you is
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plenty good.
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Tonight we're going to have a little bit of an unusual program. Well
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actually it's not a little bit of an unusual program because it's going to be
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practically without talking because of the length that one of the records which is a
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four part record of the Blues by Meade luxe
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Lewis the fine and certainly very famous.
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Boogie Woogie pianist of course in this case he's not playing but it will be buddies playing
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the blues and I think that would really be the saving grace for for this.
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Using this is a whole show to build around because I thought it would be rather relaxing to
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just hear some good old down home blues by a great artist of a
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pianist and certainly someone who incidentally in his
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death recently is a loss to jazz. So we're going to hear
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this and we're going to hear it. From beginning to end the four
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parts they were made for the Blue Note record people in 1040 and
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they brought him out of retirement more or less after his very famous honky tonk train
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which is a remarkable record and really even being a boogie woogie
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piano solo had a brilliant way of excusing itself from that kind of
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monotonous pattern in the left hand that really can cannot survive I don't
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think is an art form because it is a little monotonous but honky tonk train was
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long before this. At least the original Utah train and by 1940
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he was playing just as well and certainly in the US you'll find a very relaxed
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and competent musician. So here we are for the four parts of the 12 inch
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Blue Note record of the Blues by Meade Lux.
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Why.
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A.
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Now what we're going to do is to play two more records and of course what
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we're going to do is to put them together like we did before and they're by the same artist
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and rather than be on the piano such as he was before he don't
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harpsichord. And this is called variation on a theme. And what is listen to it
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I don't want to interrupt too much. Everything's going so nicely and I without my voice intruding.
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So we'll hear this next one.
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And it's a variation on a theme made at the same date
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or.
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I'm.
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There.
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For her.
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Week.
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And.
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I am I
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am.
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I am.
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I am I
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am
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or am
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I am. I am.
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I am.
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I am I
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am. I
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am. I
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am. I
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am. I
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am.
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I am.
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I am.
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I am.
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I
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am.
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A lot about does it for tonight show of course is a little unusual because there were
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just wasn't much room for me to say anything which of course in this case was maybe a
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little better for the pure record standpoint of the show
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and it was a relaxing illusion in that little bit of energy music from the
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vibrant strings of the harpsichord. So now I will leave you and we
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hope that you return for jazz of the past again and for
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tonight.
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Next week at the same time money again so like several recordings from
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his private collection of 78 rpm jazz classics he'll
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play them for you on.
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The University of Alaska Broadcasting Service.
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